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Exposed to everyone from the Beatles to Beethoven and John Cage, he was also heavily influenced by avant-garde filmmaking. His discography is immense and varied, including solo piano works, proto-techno, experimental ambient, and glitch.īorn January 17, 1952, in Tokyo, Sakamoto took up piano at the age of three, and regularly performed in jazz bands while in high school. The driving force behind "Neo Geo," a cutting-edge fusion of Asian and Western classical music with other global textures and rhythms, he has been equally adept in electronic and acoustic settings, whether recording in solitude or in tandem, with decades of steady activity. The extensive liner notes in the booklet are in both English and Italian.As one-third of Yellow Magic Orchestra and an Academy Award-winning composer for his work on the soundtrack for 1987's The Last Emperor, synth pop innovator Ryuichi Sakamoto is among the most groundbreaking artists to have emerged since the late '70s.
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On this new recording Dutch pianist Jeroen van Veen plays covers of Sakamoto’s music, a unique experience that open the listener’s mind providing space to think and create.Īnother ground breaking concept by Jeroen van Veen, who previously released immensely successful sets of music by Einaudi, Yiruma, Tiersen, Richter, Adams, Glass, Nyman and many more. Having been educated in ethnic music, particularly South Asian and African music, Sakamoto began his career playing the piano, creating patterns, phrases and innovative arrangements before finally joining his first commercial electronic pop band in 1978, called Yellow Magic Orchestra. Sakamoto found a particular appeal in electronic music, later experimenting with a number of genres such as New Wave, Ambient and Minimalism. Over the last three decades he has worked on numerous collaborative, solo- and film albums, winning numerous awards for his contributions to the world music industry. Ryuichi Sakamoto is an internationally renowned music composer, born in Tokyo, Japan in 1952. This may be the finest collection of his complete piano works available.’ (Fanfare, March/April 2015 on the complete piano music of Arvo Pärt, BC95053) Never does the music sound rushed in his hands, and more importantly never does it meander and lose its way. ‘Van Veen has a lovely, rounded, ringing, almost bell-like sound (highly appropriate for Pärt’s tintinnabuliations) and a wonderful sense of ebb and flow.
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But his language of minimalist jazz is one enjoyed around the world as music that gives listeners the space to think and work and create for themselves. All these pieces feature in Jeroen van Veen’s survey, which is based on the best modern edition of these scores and often differs from Sakamoto’s own, partly improvised recordings.Ĭlassical listeners will appreciate Sakamoto’s breadth of reference: to Chopin (Ubi), Bach (Andata, Solari), Glass (Bibo no Aozora), Satie (Opus), Brahms (Intermezzo) and Ravel (Bachata), for example.
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Lawrence launched Sakamoto’s career as a film composer, which has gone from strength to strength with scores for The Last Emperor (1987) and The Revenant (2015). In 1983, Nagisa Oshima’s Merry Christmas Mr. Riot in Lagos brought him fame beyond Japan, and he went on to work with many top producers of pop, dance and electro. Around the same time, he worked on his first solo album, the Thousand Knives of Ryuichi Sakamoto (1978), which blends up-to-date electronic techniques with an old-fashioned gift for good tunes. A comprehensive collection of Sakamoto’s instrumental songs and film music from a master of Minimalist piano.įamed worldwide as a film composer, Ryiuchi Sakamoto began his career as a pianist, creating patterns, phrases and innovative arrangements before joining his first commercial electronic pop band in 1978, the Yellow Magic Orchestra.